"Well Behaved" - Antioch Review, Apr. 2018
"Animal Rhetoric" - Prairie Schooner, Oct. 2017
Lawrence Foundation Award for best story published in 2017
"Runway" - Alaska Quarterly Review, Sep. 2017
"Another Washington" - Wigleaf, Feb. 2017
"Blood Oath" - Knee Jerk Magazine, Apr. 2016
"'Terrorism has warped the way we hear Arabic" - The Washington Post, Apr. 2016
Syndicated on: Chicago Tribune, The Daily News, The News Tribune, Newsday, Pittsburgh Post-Gazette, The Press Democrat, Watertown Daily Times, Buenos Aires Herald, and Republika (Indonesia)
"Cashmere" - Necessary Fiction, Feb. 2016
"The 12 Steps (Of Making Amends to a Dog)" - SmokeLong Quarterly, Aug. 2015
"Variations on a Dying Swan" - Women Arts Quarterly 4.1, Jan. 2014
"The Pygmy Queen" - Nimrod Awards 33, 2011
Honorable Mention for the Henfield Prize and the Katherine Anne Porter Prize in Fiction
" We used to get drunk; now, we get waxed. I just do my bikini line, but my waxer Sierra wants me to do a Brazilian. 'It’s just a suggestion,' she says, because she’s also my sponsor, and sponsors are only supposed to make suggestions. Sierra’s boyfriend works in big data, and he claims over two-thirds of the women in San Francisco get Brazilians, but she says it’s not about him. It’s about overcoming fear and stimulating endorphins."
- "Well Behaved" in Antioch Review
"Will it make us feel safer if the world’s 300 million native Arabic speakers stop having natural conversations in airports and other public settings? I don’t think so. I think we need to hear Arabic in exactly these settings. It’s the only way that we’ll begin to associate the language with its manifold, nuanced meanings, rather than its limited, extremist ones."
- "Terrorism has warped the way we hear Arabic"
Caitlin Kindervatter-Clark "balances humor and grief the way a skilled bartender mixes a drink; she makes the complex look easy. '12 Steps' is funny without being trivial, sad but not overwhelmingly so, intelligent but not pretentious, casually pretty (a tough trick to pull off). Her story could easily fall into despair, but the hope is too strong. The writing is too strong."
- E.A. Aymar on SmokeLong Quarterly